DOCtoberFest 2014 Day 29: “Night of the Demons” (2009)

You had me at "Monica Keena."

I think my stance on remakes should come to no surprise of even the most-casual reader of Doc Splatter’s movie reviews and Gore Score comics. Rob Zombie’s “Halloween,” last year’s “Fright Night” and any number of movies with “Texas Chainsaw” or “Body Snatchers” in the title should serve as examples of needless wasting of resources and diminishing returns.

That being said, there are remakes that bring a little somethin’-somethin’ to the party: John Carpenter’s “The Thing,” David Cronenberg’s “The Fly” and even 1988’s “The Blob” all took 1950s drive-in thrillers, polished them up and made them all the better for it.

2009 (left) and 1988 (right)

I’m conflicted, because the “Night of the Demons” (2009) remake is both better and inferior to the classic 1988 splatterfest.

A quick primer for both movies: Goth hedonist Angela holds an epic Halloween party in a dilapidated mansion that serves as a portal for demons to possess the living and they pick off trapped partygoers one-by-one until the break of dawn and invariably there’s an awesome darkwave soundtrack, decent laughs, girl-on-girl makeouts, gruesome deaths and Suzanne shoves a lipstick into her boob (not a typo — trust me on that one).

One area where the remake succeeds over the original is the cast. Shannon Elizabeth (Angela) is joined by Monica Keena, Diora Baird, Edward Furlong and Bobbi Sue Luther. All are likable and bring something memorable and fun to the table; you actually kind of feel bad when they start to get their faces ripped off. In contrast, the original had only Linnea Quigley among a bunch of rookie actors and relative no-names.

On the other hand, the original had a certain charm about it, with its well-defined archetypes (the jock, the virgin, the tramp, the hood, the black dude, the cute couple, the bombastic jackass) and its sense of humor was complimented by its genuinely eerie and gory thrills.

While both have their share of good music (the original version uses one particular Bauhaus song to good effect), the remake’s soundtrack is second only to “The Return of the Living Dead” (1985).

Surprisingly decent, I would give it a recommendation and an A. Check it out on Hulu Plus.


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